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Eccentric and Underground Avant-Gardes
Interpretations and Legacies
Following the curatorial proposal of the XIV FEMSA Biennial—which seeks to reflect on contemporary artistic activity by reviewing modern Mexican art, with a focus on the specific contexts of Morelia and Pátzcuaro—the public program engages in historical research and the critical approaches at work in existing narratives of post-revolutionary avant-garde art. The program also studies the different legacies, interpretations, and ways in which such works can shed light on our present.
With these ideas in mind, the program offers a series of activities—a cross between lectures and round-table discussions—with renowned national and international specialists. The activities are designed to engage with the XIV FEMSA Biennial’s primary areas of work: realisms, the use of "integración plástica" (which we can loosely translate as “artistic integration”), and traditional artistic practices.
There will also be a series of talks, concerts, workshops, and other activities held in different spaces and locations in Morelia and Pátzcuaro.
All activities are free of charge.
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Dr. Dafne Cruz PorchiniMuralism and propaganda as tools of realism in the thirties
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Mtra. Mireida VelázquezPopular art and its dialogue with Mexican plastic modernity
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Gaby Cepeda, Canek Zapata, Esteban KingExhibition strategies on the Internet
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Daniel Garza Usabiaga, Willy Kautz, Esteban KingGoodbye official history
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Tania Ruiz Ojeda, Sofía VelardeMurals and propaganda in Michoacán during the Cardenismo
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Anna Indych-LópezSiqueiros, plástica fílmica, and Hollywood
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Claudia GarayJiquilpan y el proyecto cultural cardenista
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Álvaro VázquezTeo Hernández and experimentation in super 8
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Rita EderJuan O'Gorman: Plastic Integration and Imaginary Landscapes
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Graciela SperanzaReal, surreal, virtual. De la desmesura muralista a la sobrecarga digital